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Alice Isabella Sullivan
“Visions of Byzantium: The Siege of Constantinople in Sixteenth-Century Moldavia,” The Art Bulletin 99, no. 4 (December 2017): 31-68.
01 December 2017•Article
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Margaret Samu
“Naturshchiki v Akademiiakh khudozhestv i v chastnykh studiiakh.” In La Tradición académica: San Petersburgo-Madrid, exh. cat., ed. Semyon Mikhailovsky. Madrid: Real Academia de Bellas Artes de San Fernando; St. Petersburg: Academy of Arts, 2017, pp. 54-65. In Spanish and Russian.
01 June 2017•Article
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Maya Semina
“Istoriya Portreta Knyazya Obolenskogo Kisti Maliavina,” Noviy Zhurnal 287, 2017.
01 June 2017•Article
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Tetyana Filevska
Dmytro Horbchov. Sluchai (Kyiv: Artbook,2017)
15 May 2017•Book
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Amy Bryzgel
Performance Art in Eastern Europe since 1960(Manchester University Press, 2017)
06 February 2017•Book
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Kristin Romberg
” Festival,” in Matthew S. Witkovsky and Devin Fore, eds., Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test (Yale: Yale University Press, 2017)
17 January 2017•Essay
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Tetyana Filevska
KAZIMIR MALEVICH. Kyiv Period 1928-1930(Kyiv:Rodovid,2017)
02 January 2017•Book
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Nancy Perloff
Explodity: Sound, Image, and Word in Russian Futurist Book Art(Los Angeles: Getty Publications, 2016).
31 December 2016•Book
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Tanja Malycheva and Isabel Wünsche, eds.
Marianne Werefkin and the Women Artists in Her Circle (Leiden: Brill Academic Publishing, 2016).
10 December 2016•Book
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Anna P. Sokolina
“Biology in Architecture: the Goetheanum Case Study.” The Routledge Companion to Biology in Art and Architecture, edited by Charissa N. Terranova and Meredith Tromble, 52-70. New York and London: Routledge, 2016. 546p.
https://www.routledge.com/The-Routledge-Companion-to-Biology-in-Art-and-Architecture/Terranova-Tromble/p/book/9781138919341
30 November 2016•Article
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Julia Tulovsky
Tekstil’ avangarda: Risunki dlia tkani(Avant-Garde Textiles: Designs for Fabric)(Yekaterinburg: Tatlin Publishers, 2016).
24 October 2016•Book
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Maya Semina
“V kamere-obskure: drugoi Maliavin,”Zolotaia palitra, 1(14)(2016): 2-19.
13 October 2016•Article
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Margaret Samu
“Antichnaia Venera Petra Velikogo: problemy issledovaniia i interpretatsii,” in Petrovskie pamiatniki Rossii i Evropy: izuchenie, sokhranie, kul’turnyi turizm, ed. A.V. Kobak, pp. 624-634 (St. Petersburg: Evropeiskii Dom, 2016).
09 October 2016•Article
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Isabel Wünsche and Wiebke Gronemeyer, eds.
Practices of Abstract Art: Between Anarchism and Appropriation (Newcastle upon Tyne: Cambridge Scholars Publishing, 2016).
01 October 2016•Book
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Corina Lucia Apostol
“Self-archiving and the redefinition of visual thinking in Lia Perjovschi’s art,” ARTA #20-21, Conceptualism in Eastern & Central Europe, 2016, pg. 63-71
01 October 2016•Article
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Karla Huebner
“Inter-War Czech Women’s Magazines: Constructing Gender, Consumer Culture and Identity in Central Europe,” in Sue Hawkins, Nicola Phillips, Rachel Ritchie, S. Jay Kleinberg, eds., Women in Magazines: Research, Representation, Production, and Consumption(London: Routledge, 2016), pp. 66-80.
24 September 2016•Article
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Eva Forgacs
“On Terminology,” Umeni, (Prague) 2016/1: 19-28.
02 August 2016•Article
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Rosalind P. Blakesley
The Russian Canvas: Painting in Imperial Russia, 1757-1881 (New Haven and London: Yale University Press, 2016).
23 July 2016•Book
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Rosalind P. Blakesley
Russia and the Arts: The Age of Tolstoy and Tchaikovsky,exhibition catalog(London: National Portrait Gallery, 2016).
23 July 2016•Book
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Molly Brunson
Russian Realisms (DeKalb, IL: Northern Illinois University Press, 2016).
14 July 2016•Book
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Susanna Weygandt
“The Structure of Plasticity: Resistance and Accommodation in Russian New Drama,”. Spring 2016, Vol. 60, No. 1 Issue 1-T229 in TDR: The Drama Review, ed. Richard Schechner. MIT Press. 2016
05 July 2016•Article
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Erika Wolf
Aleksandr Zhitomirsky: Photomontage as a Weapon of World War II and the Cold War, (New Haven and London: Yale University Press, 2016).
15 June 2016•Book
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Rosalind P. Blakesley
The Russian Canvas: Painting in Imperial Russia, 1757-1881, (New Haven: Yale University Press, 2016).
07 June 2016•Book
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Mary A. Nicholas
“Rereading Moscow Conceptualism” Slavic Review 75, no. 1 (Spring 2016):22-51.
24 May 2016•Article
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Natalia Kurchanova
“Modeli odezhdy V. E. Tatlina kak antimoda,” Teoria mody 39 (vesna 2016): 219-239.
17 April 2016•Article
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Ksenya Gurshtein and Sonja Simonyi, eds.
Studies in Eastern European Cinema, London: Taylor & Francis, vol. 7, issue 1 (2016).
A special issue of the journal on experimental cinema in state socialist Eastern Europe.
31 January 2016•Journal
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Margaret Samu
“Exhibiting Westernization: Aleksei Venetsianov’s Nudes and the Russian Art Market 1820-1850,” Nineteenth-Century Studies 25 (2015), 131-147.
31 December 2015•Article
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Patricia Kennedy Grimstead
“Nazi-Looted Art from East and West in East Prussia: Initial Findings on the Erich Koch Collection”, International Journal of Cultural Property (2015) 22:7–60.
29 December 2015•Article
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Maya Semina
“Usad’ba khudozhnika Maliavina,”Zolotaia palitra, 1(12)(2015): 16-19.
15 December 2015•Article
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Andrey Shabanov
Peredvizhniki: mezhdu kommercheskim tovarishchestvom i khudozhestvennym dvizheniem (St. Petersburg: European University, 2015).
22 November 2015•Book
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Hanna Chuchvaha
Art Periodical Culture in Late Imperial Russia: 1898-1917 (Amsterdam: Brill, 2015).
21 November 2015•Book
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Amy Bryzgel
Miervaldis Polis (Latvia: Neputns, 2015).
09 August 2015•Book
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Eva Forgacs
“Deconstructing Constructivism in Post-Communist Hungary. László Rajk and the Na-Ne Gallery”, in David Ayers and Benedikt Hjartarson, eds., Utopia. The Avant-Garde, Modernism and (Im)Possible Life, pp. 307-321 (Berlin/Boston: DeGruyters, 2015).
02 August 2015•Article
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Eva Forgacs
“The Bauhaus has No Place”,”Das Bauhaus hat keinen Ort”, in Bauhaus News, Stimmen zur Gegenwart (Berlin, Dessau, Weimar, Bauhaus Kooperation: Spector Books, 2015), pp. 27-28 in English and German, respectively.
02 August 2015•Article
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Roland Betancourt and Maria Taroutina, eds.
Byzantium/Modernism:The Byzantine as Method in Modernity.(Leiden: Brill Academic Publishers, 2015).
19 July 2015•Book
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Charolotte Douglas
Lebedi inykh mirov i drugie stat’i ob avangarde, trans. Antonina Bouis (Moscow: Tri kvadrata, 2015).
Translation of Charlotte Douglas, Swans of Other Worlds: Kazimir Malevich and the Origins of Abstraction in Russia, ed. Wendy Salmond, Studies in the Fine Arts: The Avant-Garde (Ann Arbor: UMI Research Press, 1975). Series editor: Charlotte Douglas.
01 April 2015•Book
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Kazimir Malevich
Letters, Documents, Memoirs, Criticism I. and II vol.eds. Irina A. Vakar and Tatiana N. Mikhienko, trans. Antonina W. Bouis, foreward Charlotte Douglas and afterward Irina A. Vakar (London: Tate Publishing 2014).
English translation of Vakar, Mikhienko, eds. Malevich o sebe. Pisma,dokumenti,vospominania,kritika, Moscow, Izdatelstvo RA, 2004
04 March 2015•Article
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Margaret Samu
“Sluzha iskusstvu… Khudozhnik i model’ v russkoi khudozhestvennoi kul’ture XIX veka,” Iskusstvoznanie 3-4 (2014): 434-447.
Abridged version in English and Russian in Tretyakov Gallery Magazine 46 (2015 № 1): 46-63.
01 March 2015•Article
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Maya Semina
Filipp Maliavin (Moscow: BooksMart, 2014).
30 December 2014•Book
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Allison Leigh
“Superfluous Man: Melancholy, Modernity, and Realism in Nineteenth-Century Russia and France,” Ph.D. dissertation, Rutgers University, 2014.
26 November 2014•Dissertation
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Giuseppe Schembri Bonaci
Shostakovich, Britten, Stravinsky and the Painters In-Between (Malta: Horizon Communications, 2014).
08 November 2014•Book
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Regina Khidekel, ed.
Lazar Khidekel and Suprematism (Munich and New York: Prestel Verlag, 2014).
01 November 2014•Book
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Karla Huebner
“Prague Flânerie from Neruda to Nezval,” in Richard Wrigley, ed., The Flâneur Abroad: Historical and International Perspectives (Cambridge: Cambridge Scholars Publishing, 2014), pp. 281-297.
24 October 2014•Article
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Steve Yates
“Gustavs Klucis and the Avant-Garde: Proto-Modernism to Photographic Ideas for the 21st Century,” in Gustavs Klucis. Anatomy of an Experiment, ed. Iveta Derkusova (Riga: Latvian National Museum of Art, 2014).
08 September 2014•Essay
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Anna Sokolina
Architecture Code of the Utopia: East Germany, 1945-1990 (Moscow and Ekaterinburg: Tatlin Publishers, forthcoming).
28 August 2014•Book (in progress)
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Maria Taroutina
“From Angels to Demons: Mikhail Vrubel and the Search for a Modernist Idiom,” in Modernism and the Spiritual in Russian Art, eds. Louise Hardiman and Nicola Kozicharow (Cambridge [England]: OpenBook Publishers, forthcoming).
19 August 2014•Essay (in progress)
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Eva Forgacs
“Artpool: The Experimental Art Archive of East-Central Europe,” Artmargins.
05 August 2014•Article
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Natasha Kurchanova
“Art and politics/art or politics: the political quandary of Manifesta 10,” Studio International
04 August 2014•Article
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Natasha Kurchanova
“Dreams or reality? Contemporary Art in Moscow, summer 2014,” Studio International
01 August 2014•Article
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Natasha Kurchanova
“Wim Delvoye in Moscow,” Studio International
30 July 2014•Article
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Natasha Kurchanova
“Material is the Message,” Studio International
20 July 2014•Article
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Rosalind P. Blakesley and Margaret Samu, eds.
From Realism to the Silver Age: New Studies in Russian Artistic Culture. Festschrift in honor of Elizabeth K. Valkenier (Dekalb, IL: Northern Illinois University Press, 2014).
With essays by SHERA members Rosalind P. Blakesley, Margaret Samu, Molly Brunson, Wendy Salmond, Janet Kennedy, Alison Hilton, Marian Burleigh-Motley, and John Bowlt.
28 May 2014•Book
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Maya Semina
“Gramota velikogo kniazia Olega Riazanskogo XIV veka,” Trudy Otdela drenverusskoi literatury (Pushkinskii dom LXII (2014): 260-268.
05 May 2014•Article
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John Bowlt, ed.
Of Peace and War: A Spanish Collection of Russian Art(Milan, New York: Skira/Rizzoli, 2014).
11 March 2014•Book
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Anna Begicheva
“How I Remember Tatlin,” RES: Wet/Dry 63/64 (Spring/Autumn 2013): 299-313.
Prefaced, translated, and edited by Natasha Kurchanova
10 February 2014•Article
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Rosalind P. Blakesley
“Ladies-in-Waiting in Waiting: Picturing Adolescence in Dmitry Levnisky’s Smolny Portraits, 1772-1776,” Art History 37, no. 1 (February 2014): 10-37.
10 February 2014•Essay
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Eva Forgacs
“Romantic Peripheries,” in Decentering the Avant-Garde, ed. Per Bäckström (Amsterdam: Rodopi, in press).
01 February 2014•Essay
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Rosalind P. Blakesley
“Cultural Leadership and International Dialogue between the London and St. Petersburg Academies of Art, 1757-1805,” The Slavonic and East European Review 92, no. 1 (January 2014): 1-24.
10 January 2014•Essay
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Eva Forgacs
“How the New Left Invented East-European Art,” in Blindheit und Hellsichtigkeit. Künstlerkritik an Politik und Gesellschaft der Gegenwart, ed. Cornelia Klinger (Berlin: Verlag Walter de Gruyter, 2014).
01 January 2014•Article
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Natasha Kurchanova
“Mikhailov’s Russia: From Eden to Hell,” Studio International
15 December 2013•Article
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Nicholas Iljine and Natalya Semyonova, eds.
Selling Russia’s Treasures (New York: Abbeville, 2013).
15 December 2013•Book
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Joanna Matuszak
“Ice as Element: German Vinogradov’s performance ‘Songs of the Glacial Toad,’” Performance Research: A Journal of the Performing Arts 18:6 (2013): 93-104.
01 November 2013•Article
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Karla Huebner
“Otherness in First Republic Czechoslovak Representations of Women,” in Dagnosław Demski, Ildikó Sz. Kristóf, and Kamila Baraniecka-Olszewska, eds., Competing Eyes: Visual Encounters with Alterity in Central and Eastern Europe (Budapest: L’Harmattan, 2013), pp. 438-460.
24 October 2013•Article
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Pamela J. Kachurin
Making Modernism Soviet: The Russian Avant-Garde in the Early Soviet Era, 1918-1928. (Evanston: Northwestern University Press, 2013).
15 October 2013•Book
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Natasha Kurchanova
“Tatlin, Khlebnikov, and the Icons,” in Tatlin: New Art for a New World, International Symposium (Basel: Museum Jean Tinguely and Hatje Cantz, 2013), pp. 275-279.
28 August 2013•Article
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Eva Forgacs
Ellenfényben/In Back Light. Fehér László. (Budapest: Pauker Collections, 2013).
14 August 2013•Book
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Danilo Francois Udovicki-Selb
“Les Balkans, Genèse des ‘Cinq points de l’Architecture’?” in L’invention d’un architecte. Le voyage en Orient de Le Corbusier (Paris: Editions de La Vilette 2013).
18 July 2013•Essay
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Galina Mardilovich
"Ivan Shishkin as Etcher and his 32 States of Gurzuf," Print Quarterly 30, no. 2 (June 2013): 155-164.
01 June 2013•Article
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Karla Huebner
“In Pursuit of Toyen: Feminist Biography in an Art-Historical Context,” Journal of Women’s History 25, no. 1 (Spring 2013): 14-36.
24 May 2013•Article
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Maria Taroutina
From the Tessera to the Square: Russian Modernism and the Neo-Byzantine Revival, Ph.D. dissertation, Yale University, 2013.
01 May 2013•Dissertation
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Yelena Kalinsky
Collective Actions: Moscow Conceptualism, Performance, and the Archive, 1976-1989, Ph.D. dissertation, Rutgers University, 2013.
01 May 2013•Dissertation
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Eva Forgacs
"Internationalists Spread Thin. The Hungarian Aspect 1920-1922," in Transnationality, Internationalism and Nationhood: European Avant-Garde in the First Half of the Twentieth Century, ed. Hubert van den Berg and Lydia Gluchowska (Leeuven: Peeters, 2013).
26 April 2013•Essay
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Eva Forgacs
"Modernist Magazines, Hungary," with Tyrus Miller, in The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3, Europe 1880-1940, part 2, ed. Peter Brooker, Andrew Thacker, Sacha Bru, Christian Weikop (Oxford: Oxford University Press, 2013).
28 March 2013•Essay
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Roann Barris
“The Life of the Constructivist Theatrical Object,” Theatre Journal 65 (March 2013): 57 – 76.
01 March 2013•Article
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Maria Taroutina
Contributions to Eye on a Century: Modern and Contemporary Art from the Collection of Charles B. Benenson at the Yale University Art Gallery, ed. Cathleen Chaffee (New Haven: Yale University Press, 2012).
26 February 2013•Essay
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Yelena Kalinsky
"Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group," ARTMargins 2, no.1 (February 2013): 82-105.
01 February 2013•Article
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Hanna Chuchvaha
“The Rococo Revival in Alexandre Benois’s Versailles: Fête galantes and Louis XIV in the Early Twentieth-Century Russian Art,” Canadian-American Slavic Studies 46/12 (2012): 409-438.
01 December 2012•Article
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Eva Forgacs
"The Bauhaus and Hungary's Émigré Artists' Last Illusions of Modernity," in In Search of a Forgotten Architect: Stefan Sebők 1901-1941, ed. Lilly Dubowitz (London: Architectural Association Publications, 2012).
Stefan Sebök was a Hungarian-born architect who worked with Walter Gropius in Dessau and Berlin in the late 1920s.
01 September 2012•Article
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Wendy Salmond
With Musya Glanys and Marie Lampard, “Russian Sculpture,” special issue, Experiment: A Journal of Modern Russian Culture 18 (2012).
Includes essays by SHERA members John Bowlt, Janet Kennedy and Margaret Samu; series editor is SHERA member Mark Konecny and editor-in-chief is John Bowlt. Experiment is published by Brill for the Institute of Modern Russian Culture.
01 July 2012•Book
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Eva Forgacs
"Reinventing the Bauhaus. The 1923 Bauhaus Exhibition as a Turning Point in the Direction of the School," in Bauhaus: Art as Life, exh. cat. (London, Barbican Art Gallery, Koenig Books, 2012).
03 May 2012•Essay
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Marie Gasper-Hulvat
Malevich’s Post-Suprematist Paintings and the Construction of History, Ph.D. dissertation, Bryn Mawr College, 2012.
01 May 2012•Dissertation
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Galina Mardilovich
Printmaking in Late Imperial Russia, Ph.D. dissertation, University of Cambridge, 2012.
01 January 2012•Dissertation
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Maria Taroutina
“From Church to Harem: Nineteenth-Century Orientalism and the Neo-Byzantine Revival,” in Orientalism/Occidentalism: The Languages of Culture vs. the Languages of Description, ed. Evgeny Steiner (Moscow: Natalis Publishing House, 2012).
01 January 2012•Essay
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Erika Wolf
Koretsky: The Soviet Poster 1930-1984 (New York: New Press, 2012).
01 January 2012•Book
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Karla Huebner
“Girl, Trampka, or Žába? The Czechoslovak New Woman,” in Elizabeth Otto and Vanessa Rocco, eds., The New Woman International (University of Michigan Press, 2011), pp. 231-251.
24 October 2011•Article
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Rosalind P. Blakesley
“Women and the Visual Arts,” in W. Rosslyn and A. Tosi, eds. Women in Nineteenth-Century Russia: Lives and Culture (Cambridge: Open Book Publishers, 2011), 91-117.
10 September 2011•Essay
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Patricia Kennedy Grimstead
Reconstructing the Record of Nazi Cultural Plunder (Amsterdam: International Institute of Social History, 2011).
01 September 2011•Book
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Allison Leigh
“Embodied Memories: The Work of Trauma in Art”, museumVIEWS, Spring 2011, p. 11.
26 April 2011•Article
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Erika Wolf
Early New Zealand Photography: Images and Essays (Dunedin: Otago University Press, 2011).
01 January 2011•Book
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Rosalind P. Blakesley
“Pride and the Politics of Nationality in Russia’s Imperial Academy of Fine Arts, 1757-1807,” Art History 33, no. 5 (December 2010): 800-835.
10 December 2010•Essay
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Anna Sokolina, ed.
Architecture and Anthroposophy [Arkhitektura i antroposofiia], 2nd.ed. (Moscow: KMK, 2010).
28 August 2010•Book
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Anna Sokolina
“Metamorphoses of Artistic Mind” [Metamorfozy khudozhestvennogo soznaniia], in Russian Art Abroad: Second Half of XX-Beginning of XXI Century [Russkoie art-zarubezhye: vtoraia polovina XX – nachalo XXI veka], ed. A. Obukhova and Z. Starodubtseva (Moscow: State Center of Contemporary Art [Gosudarstvenny Tsentr Sovremennogo Iskusstva GCSI], 2010), pp. 64-67, 344.
28 August 2010•Article
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Natasha Kurchanova
“Osip Brik and the Politics of the Avant-Garde,” October 134 (Fall 2010):52-110.
28 August 2010•Article
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Karla Huebner
“The Whole World Revolves Around It: Sex Education and Sex Reform in First Republic Czech Print Media,” Aspasia 4 (Spring 2010), 25-48.
24 May 2010•Article
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Karla Huebner
“Fire Smoulders in the Veins: Toyen’s Queer Desire and its Roots in Prague Surrealism”, Papers of Surrealism, issue 8 (Spring 2010).
24 May 2010•Article
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Rosalind P. Blakesley
“Dorich-khaus: vzgliad v budushchee iz tridtsatykh godov”[“Dorich House: a Look into the Future from the 1930s”], in N. V. Makarova and O. A. Morgunova, eds. Russkoe prisutstvie v Britanii [The Russian Presence in Britain] (Moscow: Sovremennaia ekonomika i pravo, 2009), pp. 167-174.
10 September 2009•Essay
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Rosalind P. Blakesley
“’The Venerable Artist’s Fiery Speeches Ringing in my Soul’: The Artistic Impact of William Morris and his Circle in Nineteenth-Century Russia,” in G. Brockington, ed. Internationalism and the Arts (Oxford: Peter Lang Publishers, 2009), pp. 79-105.
10 September 2009•Essay
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Rosalind P. Blakesley
“Emile Zola’s Art Criticism in Russia,” in C. Adlam and J. Simpson, eds. Critical Exchange: Art Criticism of the Eighteenth and Nineteenth Centuries in Russia and Western Europe. Cultural Interactions: Studies in the Relationship between the Arts, volume 12 (Oxford: Peter Lang Publishers, 2009), pp. 263-284.
10 September 2009•Essay
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Allison Leigh
“Future Ruins: Time, Memory, and Nostalgia in the Work of Komar and Melamid”, University of Pittsburgh Studies in Slavic Cultures VIII, August 2009, pp. 9-26.
26 August 2009•Article
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Anna Sokolina
“Anna Sokolina on the ‘RUSSIA!’ Panels at the Guggenheim,” ARTMargins
28 December 2005•Article
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Anna Sokolina
“Eye on Malevich: an Epoch Revisited,” ARTMargins
28 April 2004•Article
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Anna Sokolina
“In Opposition to the State: the Soviet Neoavant-Garde and East German Aestheticism in the 1980s,” ARTMargins
28 August 2002•Article
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Anna Sokolina
“Architecture and the State: Moscow Urban Concepts after Socialism”, The Anthropology of East Europe Review: Central Europe, Eastern Europe and Eurasia (AEER). Special Issue: New Directions in Post Socialist Studies. Vol. 20, Nо.2 (2002): 91-101.
28 February 2002•Article
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Jan Cavanaugh
Out Looking In: Early Modern Polish Art, 1890-1918 (Berkeley: University of California Press, 2000)
01 January 2000•Book
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Sorry, there are no research entries that match that choice.